The singers and dancers had two changes each, and the principles had three changes each. “We had 18 singers and dancers and two principles. I had some sweaters knit specifically in our color scheme.”Ĭhallenge Chat: “A great challenge was the size of the undertaking,” she adds. Some were in striped blazers that we made here, and blouses and ties and accessories. We made sure that everybody had a different color shoe and a sock. The boys had the striped blazers, like the old cricket blazers, or vests. The in interpretations of school uniforms.
I thought, ‘That’s going to be my palette.’ I was in Calico Corners, an upholstery fabric store, and they had this display of sofas and pillows in the most wonderful lime green, coral and yellow. It’s essential not to compete with each other, but to collaborate. “I always talk with George Becket and tell him what I have in mind and make sure we’re on the same page.
On The Color Scheme And Theme: “I wanted to make the palette bright and fun,” smiles Eden. It was crazy here for two-and-a-half weeks, but we made it.” “We brought in extra people to the workroom we had a hat maker we had a dyer. “We had something like 45 costumes made from scratch,” says Costume Designer Diana Eden. Here’s the scoop from Digest on all the work that went into the entertaining episode. The soap that brought you 2003’s Chicago parody “I Ain’t Sorry” and last year’s Bollywood sequence featuring the Emmy Award-winning original song “Love is Ecstacy” put together two great Wicked-like numbers, “Spellbinding” and “Perfectly Frightful.” From wardrobe to choreography to original music, this musical was quite a collaborative effort.
0 kommentar(er)
